The resulting album, Low, was released 45 years ago on January 14, 1977. Bowie wasn’t even sure that the songs would be released. It “might be incredible or a complete waste of time,” Bowie told Visconti, according to Thomas Jerome Seabrook’s 2008 book Bowie in Berlin. The idea was to meld rock with minimalist soundscapes. With Eno on the line too, Bowie invited Visconti to join the pair in September at Château d’Hérouville near Paris, to record new music. That June, Bowie phoned Tony Visconti, the producer who’d worked with him on albums including 1975’s Young Americans. They’d agreed to collaborate, which is why Eno ventured to Blonay.
The men were passing acquaintances who found themselves in strikingly similar situations: both were former glam rockers with a thirst for uncharted sonic frontiers. The musician was visited on the shores of Lake Geneva by Brian Eno, the former Roxy Music member, who had released a series of experimental albums fusing ambient electronic music with art rock, most notably 1975’s Another Green World. It was less than a year since he’d enjoyed his first US number one single with Fame, but Bowie craved changes. Frazzled, and at a creative and personal crossroads, the 29-year-old had recently moved from America to Europe to help him shake a prodigious cocaine habit and find what he described as a “new musical language”, having become sick of his sound – of being a rock star. In the early summer of 1976, David Bowie was relaxing in his recently-acquired home in Blonay, Switzerland, following a gruelling world tour.
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